BFI Distribution is excited to announce the release of the 2024
Cannes Film Festival Grand Prix winner, All We Imagine as Light (2024), written and
directed by Payal Kapadia, in UK and Irish cinemas on 29 November 2024. A BFI Blu-ray
and BFI Player release will follow in early 2025.<\/p>\n\n\n\n
Featuring Kani Kusruti (Prabha) Divya Prabha (Anu) and Chhaya Kadam (Parvaty) in the
lead roles, All We Imagine as Light was the first Indian film to be selected in an Official
Competition at Cannes in three decades. Payal Kapadia also made history as the first female
Indian filmmaker ever to have a film in this prestigious section of the festival. After dancing
down the red carpet, the director and her cast saw the film receive an eight-minute standing
ovation; worldwide critical acclaim and 5-star reviews followed.
An Indian feature with the look and feel of a European arthouse classic, exploring the
complexities of female friendship, this beautiful, sweeping, emotional film brilliantly captures
the frantic pace, the vibrant colours and the heady atmosphere of modern Mumbai.
In Mumbai, thoughtful Nurse Prabha\u2019s routine is upset when she receives an unexpected gift
from her estranged husband. Her younger, flightier and rebellious roommate, Anu, tries in
vain to find a spot in the city to be intimate with her secret boyfriend. Their colleague Parvaty
fights to stay in her home without any requisite paperwork left by her late husband. A trip to a
beach town allows them each to find a space for their desires to manifest.
Payal Kapadia is a Mumbai-based filmmaker who studied Film Direction at the Film &
Television Institute of India. Her short films, Afternoon Clouds (2017) and And What Is The
Summer Saying (2018), premiered at the Cannes Cin\u00e9fondation and the Berlinale
respectively. Her first feature film, A Night of Knowing Nothing (2021) premiered at the 2021
Cannes Directors\u2019 Fortnight, where it won the Golden Eye Documentary Prize. Kapadia has
commented:
\u201cAlthough All We Imagine as Light is my first fiction feature, it\u2019s still very important to me that
fiction and documentary can exist together. What I try to do is approach fiction in a
non-fiction way. I find the juxtaposition of the two very interesting and I strongly believe that it
makes the non-fiction more fiction and the fiction more non-fiction.\u201d
All We Imagine as Light is a France-India-The Netherlands-Luxembourg co-production. The
producers are Thomas Hakim and Julien Graff of Petit Chaos in Paris, and Zico Maitra of
Chalk & Cheese Films in Mumbai. Additional partners are Arte France Cin\u00e9ma, Baldr
Film (Netherlands), Another Birth (India), Les Films Fauves (Luxembourg) and Pulpa
Film (Italy). European development funds, including Rotterdam\u2019s Hubert Bals grant and the
Cannes Cin\u00e9fondation Residency, enabled Kapadia to reside in Europe and develop the film
with her French producers, before beginning production in her native India.<\/p>\n\n\n\n
ALL WE IMAGINE AS LIGHT will be released in UK & Irish cinemas on 29 November 2024<\/p>\n","protected":false},"excerpt":{"rendered":"
BFI Distribution is excited to announce the release of the 2024Cannes Film Festival Grand Prix winner, All We Imagine as Light (2024), written anddirected by Payal Kapadia, in UK and Irish cinemas on 29 November 2024. A BFI Blu-rayand BFI Player release will follow in early 2025. Featuring Kani Kusruti (Prabha) Divya Prabha (Anu) and […]<\/p>\n","protected":false},"author":1,"featured_media":66578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[401,106,38],"tags":[],"class_list":["post-66577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-film","category-national-news"],"_links":{"self":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/posts\/66577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/comments?post=66577"}],"version-history":[{"count":1,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/posts\/66577\/revisions"}],"predecessor-version":[{"id":66579,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/posts\/66577\/revisions\/66579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/media\/66578"}],"wp:attachment":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/media?parent=66577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/categories?post=66577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/tags?post=66577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}