{"id":15024,"date":"2016-06-16T10:52:28","date_gmt":"2016-06-16T09:52:28","guid":{"rendered":"http:\/\/www.theasiantoday.com\/?p=15024"},"modified":"2016-06-16T10:52:28","modified_gmt":"2016-06-16T09:52:28","slug":"anurag-kashyap-brings-you-raman-raghav","status":"publish","type":"post","link":"https:\/\/www.theasiantoday.com\/index.php\/2016\/06\/16\/anurag-kashyap-brings-you-raman-raghav\/","title":{"rendered":"Anurag Kashyap Brings You Raman Raghav"},"content":{"rendered":"<p><span style=\"font-family: 'Arial',sans-serif;\"><span style=\"color: #000000; font-size: medium;\">Following plaudit and standing ovation while premiering at the <\/span><b><span style=\"color: #000000; font-size: medium;\">Cannes Directors\u2019 Fortnight<\/span><\/b><span style=\"color: #000000; font-size: medium;\">, gritty, Indian noir thriller, <\/span><b><span style=\"color: #000000; font-size: medium;\">Raman Raghav 2.0<\/span><i><span style=\"color: #000000; font-size: medium;\">,<\/span><\/i><\/b><span style=\"color: #000000; font-size: medium;\"> releases in cinemas worldwide on <\/span><b><span style=\"color: #000000; font-size: medium;\">24<\/span><sup><span style=\"color: #000000; font-size: small;\">th<\/span><\/sup><span style=\"color: #000000; font-size: medium;\"> June 2016,<\/span><\/b><span style=\"color: #000000; font-size: medium;\"> presented by <\/span><b><span style=\"color: #000000; font-size: medium;\">Reliance Entertainment.<\/span><\/b> <\/span><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif;\"><span style=\"color: #000000; font-size: medium;\">Embodying new age Indian cinema beyond Bollywood for an international audience, <\/span><b><span style=\"color: #000000; font-size: medium;\">Raman Raghav 2.0<\/span><\/b><span style=\"color: #000000; font-size: medium;\"> is helmed by celebrated auteur, <\/span><b><span style=\"color: #000000; font-size: medium;\">Anurag Kashyap <\/span><\/b><span style=\"font-size: medium;\">(<\/span><i><span style=\"font-size: medium;\">Gangs of Wasseypur Parts 1 &amp; 2, Dev D, That Girl In Yellow Boots<\/span><\/i><span style=\"font-size: medium;\">),<\/span> <span style=\"font-size: medium;\">one of India\u2019s most acclaimed crossover filmmakers with a cult, global following. <\/span><\/span><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif;\"><span style=\"color: #000000; font-size: medium;\">Golden boy of contemporary Indian cinema, <\/span><b><span style=\"color: #000000; font-size: medium;\">Nawazuddin Siddiqui,<\/span><\/b><span style=\"color: #000000; font-size: medium;\"> conveys the role of serial killer <\/span><i><span style=\"color: #000000; font-size: medium;\">Ramanna <\/span><\/i><span style=\"color: #000000; font-size: medium;\">with unnerving menace, while rising star, <\/span><b><span style=\"color: #000000; font-size: medium;\">Vicky Kaushal,<\/span><\/b><span style=\"color: #000000; font-size: medium;\"> essays his nemesis, coke-addled police officer <\/span><i><span style=\"color: #000000; font-size: medium;\">Raghavan<\/span><\/i><span style=\"color: #000000; font-size: medium;\">. The narrative unfolds against the darker underbelly of Mumbai, providing the setting for a serial killer\u2019s cold-blooded crimes to germinate. <\/span><\/span><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif; color: #1d1d1d;\"><span style=\"font-size: medium;\">Setting the tone of the film is the real life back-story of a notorious serial killer that plagued Bombay in the 1960\u2019s. The city was a contradiction of glamorous nightclubs and jazz bars juxtaposed with suburbs of ramshackle shanties and huts, largely inhabited by migrant workers. <\/span><\/span><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif; color: #1d1d1d;\"><span style=\"font-size: medium;\">It was against this squalid backdrop that a terrifying wave of murders took place in 1968. The work of a serial killer, almost all the victims were miserably poor men, women and children bludgeoned to death by a hard, blunt object with no discernible motive. <\/span><\/span><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif; color: #1d1d1d;\"><span style=\"font-size: medium;\">IPS officer Ramakant Sheshagirirao Kulkarni had just taken over as the DCP, CID, (Crime) in Bombay when he was handed the case. Frenzied paranoia had gripped the suburbs as vigilante groups kept watch at night, sometimes battering homeless beggars on mere suspicion. Two thousand cops took to the by-lanes and alleyways on patrol duty. <\/span><\/span><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif; color: #1d1d1d;\"><span style=\"font-size: medium;\">When Kulkarni eventually found the killer, he turned out to be a nondescript-looking man aimlessly wandering the streets. He was spotted perchance by a sub-inspector who noticed that his shirt and shorts were stained with blood. The police interrogation and, later, his confession painted a disturbing picture of an unbalanced loner. His name was <\/span><i><span style=\"font-size: medium;\">Raman Raghav<\/span><\/i><span style=\"font-size: medium;\">. <\/span><\/span><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif; color: #1d1d1d;\"><span style=\"font-size: medium;\">Set in contemporary Mumbai, <\/span><b><span style=\"font-size: medium;\">Raman Raghav 2.0<\/span><\/b><span style=\"font-size: medium;\"> recounts the horrific incident through the psyche of a modern-day serial killer obsessed with the crimes of <\/span><i><span style=\"font-size: medium;\">Raman Raghav<\/span><\/i><span style=\"font-size: medium;\">. <\/span><\/span><\/p>\n<p><b><span style=\"font-family: 'Arial',sans-serif; color: black;\"><span style=\"font-size: medium;\">Synopsis:<\/span><\/span><\/b><\/p>\n<p><span style=\"font-family: 'Arial',sans-serif; color: #1d2129;\"><span style=\"font-size: medium;\">Set in present day Mumbai, the story follows the life of a serial killer, <\/span><i><span style=\"font-size: medium;\">Ramanna<\/span><\/i><span style=\"font-size: medium;\">, who is inspired by an infamous serial killer\u00a0from the 1960s, <\/span><i><span style=\"font-size: medium;\">Raman Raghav<\/span><\/i><span style=\"font-size: medium;\">. His strange obsession with <\/span><i><span style=\"font-size: medium;\">Raghavan<\/span><\/i><span style=\"font-size: medium;\">, a young police officer, keeps growing as he closely follows him without his knowledge and often creates situations where both of them come face to face.<\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-family: Times New Roman; font-size: medium;\">\u00a0<\/span><\/p>\n<p align=\"center\"><b><i><span style=\"font-family: 'Arial',sans-serif;\"><span style=\"color: #000000; font-size: medium;\">Anurag Kashyap\u2019s noir thriller, Raman Raghav 2.0, releases in cinemas on 24<\/span><sup><span style=\"color: #000000; font-size: small;\">th<\/span><\/sup><span style=\"color: #000000; font-size: medium;\"> June 2016, presented by Reliance Entertainment<\/span><\/span><\/i><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following plaudit and standing ovation while premiering at the Cannes Directors\u2019 Fortnight, gritty, Indian noir thriller, Raman Raghav 2.0, releases in cinemas worldwide on 24th June 2016, presented by Reliance Entertainment. Embodying new age Indian cinema beyond Bollywood for an international audience, Raman Raghav 2.0 is helmed by celebrated auteur, Anurag Kashyap (Gangs of Wasseypur [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":15025,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[105,54,106,112],"tags":[],"class_list":["post-15024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-desi_masala","category-desixpress","category-film","category-top-stories"],"_links":{"self":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/posts\/15024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/comments?post=15024"}],"version-history":[{"count":0,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/posts\/15024\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/media\/15025"}],"wp:attachment":[{"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/media?parent=15024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/categories?post=15024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.theasiantoday.com\/index.php\/wp-json\/wp\/v2\/tags?post=15024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}